WEDDED TO ART.
LITERATURE.
An English- Story. An old-fashioned farm-house, large and hospitable-looking; lowing cattle and bleating sheep; undulating hills, clad in„autumnal verdure; in front, across the winding country road, an orchard wealthy in russet and golden fruit; in the rear, a brook that goes prattling and gleaming past the capacious barn, from whose windows peep golden sheaves, and under whose eaves cling the bulky swallows’ nests. Such were the features of a pleasant rural scene to be enjoyed by the wayfarer along a certain road in the autumn time. The door of the farm-house opens, and with a laugh and a bound, Lelia Carter, a maiden of about sixteen comes racing out, with a shepherd dog leaping and bounding by her side. Very . charming indeed she looked, with her lovely face .and sparkling eyes, half hidden beneath the wide straw hat, as she ran gaily along the ' roadside or in the fields, now stopping to caress some halfgrown lamb, now wild with excitement as a stray rabbit bounded from covert, and proceeded rapidly to leave out of sight the fat shepherd dog. ‘ Here, ‘ Sport,’ fetch it,’ she cries, as she tosses a slick far over a clump of thick undergrowth. On the other side of the dump, hidden from view, sat a young man, busily sketching. The stick fell upon his easel, and striking his pencil, knocked it from his fingers. ‘ Hang - ;it IV he growled. ‘Who threw that ?’ looking up just ns Lclia and ‘ Sport ’ came racing into sight. Lelia stopped short as she saw the Btpn\g<?r; bul l Sport,’ nothing abashed, ran on, picked up the stick, npset the easel in doing so, and with a quick bound escaping the full force of the kick aimed at him, came wagging back to his mistress. * Haven’t yon anything better to do, miss, than running over the country spoiling a fellow’s work?’ queried the vexed stranger, as he picked np the easel and brushed off the rotten wood adhering to the canvas. He was a handsome dark-looking young; fellow of about twenty-two, with features indicative of strength and selfreliance. As he glanced again at Lelia, and obtained a full view of her for the first time, his expression softened into one of admiration. She was stooping over ‘ Sport’ tenderly, but fire was in her eyes as she turned them toward the young man. ‘ How dare you kick my dog 7’ she demanded. He was about to speak more civilly than before, when a sudden idea entered his bend, and he began again to sketch rapidly. * That’s all he’s good for, I daresay—to be kicked,’he answered carelessly at length. ‘ You don’t know anything about it. He’s the best dog in the world, and yon’re a brnte for kicking him,’ said fearless sixteen. He sketched away as though his life depended on it. 1 Oh, well,’ after another pause, 1 1 didn’t , hurt him much after all. He was too qnick for me.’ ‘Yon meant to though, and it was just as mean as though you did.’ * Well, yon see, I was angry because he upset my work,’ ‘I don’t care,’ said Lelia ‘he was only trying to please me, weren’t yon * Sport ?’ ’ Ho looked at her again, then at the canvass, then added a few more strokes. ‘ Really, I don’t see how he can be blamed for that.’ And lie glanced admiringly at her. Either the look or the words (she wasn’t used to compliments) mollified her somewhat. * Besides,’ I’ll make amends’ he added. ‘ How would you like a picture of ‘ Sport ?’ She came forward, and saw not only * Sport,’ but herself bending over him, with a mixture of tenderness and indignation in her expression that had been very ideverly portrayed. He drew out his sketch book in the meantime, and hastily sketching * Sport’ on a leaf, tore it off/ and handed it to her with a bow. ‘ Isn’t .it lovely 1’ she exclaimed. * HoV conld you do it so soon ? What are you going to do with this large picture?’ * I, have, some hopes of winning a prize next spring with it. Five minutes ago I felt like giving it np ; now I feel rather confident of it. That was the reason I spoke to you as I did at first. I was afraid you would go away, so I made you angry.’ ‘ I was angry, and I called you a brute too, didn’t I ? Well,, I dont care ; you had no right to kick poor ‘ Sport,’ and she pouted prettily, whereat he and humbly begged * Sport’s ’ pardon. ‘ Isn’t your name Miss Carter?’ he inquired, abruptly. ‘ Yes, sir, it is.’ ‘ Did you never hear of a fellow by the name of Ivan Kirke ?’ ‘ Why, yes, of course I have. That is old Kirke’s son, the one that was a lazy good-for-nothing fellow, and didn’t want to be a farmer, and went away five or six years ago.’ He bit his lips and smiled. * I am that lazy, good-for-nothing fellow,’ he said; or, at least, I was. I hope I have improved since then, though I don’t want to be a farmer even now.’ ‘ I didn’t know. I am sorry. I didn’t mean— ’ * Oh, never mind. I dare say I was lazy and good-for-nothing on a farm. I nsed to mope and dream when I have been at work. They didn’t understand me and I don’t blame them ; I didn’t understand myself; yonr father was about the only one that sympathised with my fancies. By the way, I should jike to see him if lie is at homo.’ ‘He is at home, Come along and * Sport ’ and I will show yon the way.’ (To be continued.)
Permanent link to this item
https://paperspast.natlib.govt.nz/newspapers/PATM18831015.2.24
Bibliographic details
Patea Mail, Volume IX, Issue 1099, 15 October 1883, Page 4
Word Count
946WEDDED TO ART. Patea Mail, Volume IX, Issue 1099, 15 October 1883, Page 4
Using This Item
No known copyright (New Zealand)
To the best of the National Library of New Zealand’s knowledge, under New Zealand law, there is no copyright in this item in New Zealand.
You can copy this item, share it, and post it on a blog or website. It can be modified, remixed and built upon. It can be used commercially. If reproducing this item, it is helpful to include the source.
For further information please refer to the Copyright guide.