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' Perfumes For Furs IN Paris furriers are promot- * ing special perfumes for use on fur wraps. Each luxurious fur, the perfume makers argue, demands its own aroma, and the same scent should not be applied to sable and ermine. The perfume sold for use on sable is heavy and reminiscent of sandalwood. The ermine fragrance is lighter, with a dash of attar of roses m its composition.

(1) The sophisticated deb. wears white taffeta and crystal and a side-train no less, a train lined with cloth of silver. (2) The season's most popular fur — ermine! Lillian Roth wraps herself m white ermine skins, whose long circular effects meet the demands of the long skirts and trains of the mode. (3) Black and gold for the blonde. Natalie Moorehead, who finds taffeta the best medium. Hem is even and just misses the floor. Cape of velvet jax and cloth of gold, (4) Jean Arthur- lends form to a 1917 gown and gets away with it m this year of grace. (5) Sleek and yrande dame-ish! Full-length wrap of black velvet and white fox adds dignity and beauty to Geneva Mitchell.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/NZTR19300904.2.36.1

Bibliographic details

NZ Truth, Issue 1291, 4 September 1930, Page 10

Word Count
189

' Perfumes For Furs IN Paris furriers are promot* ing special perfumes for use on fur wraps. Each luxurious fur, the perfume makers argue, demands its own aroma, and the same scent should not be applied to sable and ermine. The perfume sold for use on sable is heavy and reminiscent of sandalwood. The ermine fragrance is lighter, with a dash of attar of roses m its composition. (1) The sophisticated deb. wears white taffeta and crystal and a side-train no less, a train lined with cloth of silver. (2) The season's most popular fur—ermine! Lillian Roth wraps herself m white ermine skins, whose long circular effects meet the demands of the long skirts and trains of the mode. (3) Black and gold for the blonde. Natalie Moorehead, who finds taffeta the best medium. Hem is even and just misses the floor. Cape of velvet jax and cloth of gold, (4) Jean Arthur- lends form to a 1917 gown and gets away with it m this year of grace. (5) Sleek and yrande dame-ish! Full-length wrap of black velvet and white fox adds dignity and beauty to Geneva Mitchell. NZ Truth, Issue 1291, 4 September 1930, Page 10

' Perfumes For Furs IN Paris furriers are promot* ing special perfumes for use on fur wraps. Each luxurious fur, the perfume makers argue, demands its own aroma, and the same scent should not be applied to sable and ermine. The perfume sold for use on sable is heavy and reminiscent of sandalwood. The ermine fragrance is lighter, with a dash of attar of roses m its composition. (1) The sophisticated deb. wears white taffeta and crystal and a side-train no less, a train lined with cloth of silver. (2) The season's most popular fur—ermine! Lillian Roth wraps herself m white ermine skins, whose long circular effects meet the demands of the long skirts and trains of the mode. (3) Black and gold for the blonde. Natalie Moorehead, who finds taffeta the best medium. Hem is even and just misses the floor. Cape of velvet jax and cloth of gold, (4) Jean Arthur- lends form to a 1917 gown and gets away with it m this year of grace. (5) Sleek and yrande dame-ish! Full-length wrap of black velvet and white fox adds dignity and beauty to Geneva Mitchell. NZ Truth, Issue 1291, 4 September 1930, Page 10

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