Dance m White-Walk m Furs
Subtle Perfumes
ANE cannot be too particular m choosing a cleansing cream, for if it is not perfectly pure your skin . ■will suffer. If it cdntains animal fat, there is a risk of superfluous hair, and a.heavy perfume is out of place. Only a sweet, fresh scent should be used. Speaking of perfumes, Paris has evolved another handy idea —con-, centrated perfume. Subtle scents are put up m wax form m tiny screw-topped bone boxes, attractively decorated. [.There are dozens of occasions — holidays, ' swimming", motoring, picnics, games —when one of the little boxes would be very much. appreciated. , v ■'' iiiininiiintljnmiiuMiiiiiiiiiiiniiiiMiMiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiniiiiiiiiiiiiiiii,
. Choosing, The Correct Shade t
(By Miss Phyllis Bates — Mombe "WHAT color shall I have for my ™ next frock?" is a burning quostion often' heard these dancing days. Personally, I nearly always answer "White," because I think it the most effective for a dance frock. It is equally beautiful m chiffon, tulle, net, satin, taffetas, moire, georgette or ! organdie. Organdie is a fashionable material for evening frocks, and though it crushes easily it washes well, which is a great advantage. A white organdio with a tight, short bodice and a bouCfant skirt can be a very charming affair. "White pleated tulle m tiers is exquisite for a night, but alas, for no longer. Chiffon is perfect and floats with every movement the dancer makes. Silk net, frilled, with a demure
«. ir of Imporial Booioty of Teaohers of Da fichu Is becoming to tho "HnlTy" typo, or, made, with a long Hkirt with circular flat flounces and a velvet bow and ends, It la delightful for the "ethereal" typo of girl one soldonj aooa. Parchment satin or molro, plain and beautifully cut are equally "right" for the tall, striking girl with a good figure. Red lace is lovely for blonde or brunette. Tho fair Gladys Cooper wore a wonderful examplo m hor ilatest play. It was cut with a very decollete U back from which a circular capo hung, the skirt wan long and flowing and fitted very tightly at the hips. Black laco is useful and can be worn Avith huge success by a blonde. Made with a, full skirt and long body it always has a chance of being the
inoing, Ballroom Branch, London.) §1 • smartest frock m the room. Blonde If laoo Is a usofuf standby, for with dif- p foronL colored flowers and shoes It has fp a way of looking altogether changod. M Black organdie with a f!onh- M colored organdie yoke and hem, M ornbrolderod at tho "joins,", and p mado with a long "moulded" body P and a Cull, long Bklrt In moat M HophisUcatod, but too dl/ncult for -$m , tho average dressmaker to at- pi temnt. Georgette In llrno or chartreuae\ can W>. bo made Into a frock which will make |g| uh all onvloiiH and georgetto or chiffon '{'A m a pale Hhado of pink or Jn tangerine 'W-. and primrose will make a girl glad, to {y bo alive. While an ivory taffeta with uneven |f| skirt and transparent hem, or a white #% ring velvet, will be just sweet for a 10 "deb." ( g|
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NZ Truth, Issue 1237, 15 August 1929, Page 20
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528Dance in White-Walk in Furs NZ Truth, Issue 1237, 15 August 1929, Page 20
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