ENTERTAINMENTS.
CENTRAL THEATRE PICTURES TO-NIGHT. "GO STRAIGHT.” Frank Mayo takes the lead in “Go Straight,” the attraction for to-night-The story is that of a man of conviction, of a man who is willing to fight for What he believes to be right. Keith Rollins, a young, vigorous preacher of the new school, takes his practical Christianity into th'e sorely'needed backwoods community of Hamstead, a little town in tjie Kentucky hills. The settlement has a reputation of being unhealthy for members of the Church—and a parson’s life is valued very lightly. But Helflre Gibbs and Jim Boyd, under whose domination the town has sunk, have not figured on the fighting qualities of a real fighting minister. When the smoke of the battle was cleared away Rollins has routed the opposition, after a terrific man-to-man battle. TOMORROW NIGHT. “MAN—-WOMAN—-MARRIAGE.” The biggest feature in every way that has ever been produced for the screen is "Man—Woman —Marriage,” the starring attraction for to-morrow night. Dorothy Phillips and James Kirkwood are in the star roles, and the picture has for its theme the divine right of motherhood. It traces woman’s influence on the destiny of the world from the time of the cave man right down to the present. It compares the mating of the sexes tor day with yesterday; it describes the inevitable misunderstandings that, occur when wealth, the desire for power, and the love of the world begin to play a. part in what God has ordained the most sacred thing in the world, that thing which he 'has arranged for man for the fulfilment of His purpose —marriage.
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Hauraki Plains Gazette, Volume XXXIII, Issue 4476, 6 October 1922, Page 2
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266ENTERTAINMENTS. Hauraki Plains Gazette, Volume XXXIII, Issue 4476, 6 October 1922, Page 2
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