AMUSEMENTS.

Hokitika Guardian, 20 September 1932, Page 3

AMUSEMENTS.

> EVERYBODY'S PICTURES. V . “THE- YELLOW TICKET.” i_ A. R,ussiaiv, village*. complete in every detail, the ornate; palace of-the Czariet ' baron, and .dazzling. Moscow cafe, these afe but A few of the large and costly sets which .were built at,the Jteverly Hijls studio of . thq Fox Film ' Corporation for., Raoul Walsh’s dra- . Thatip;"photoplay production, “The Yel- • low’ .fecjket,” which open's to-night at, Theatre with • Eiissa • Lpndi, tienel Barryinore and; Laurence : Olivdr iff the principal rolel _, ; ■ The cafe presents ofle of the most brilfiapi, scenes.'e’Ter, brought, to tile., screen.' To add to the atriicsphere of the village sequence, hundreds, of extjaSi men, werticn. and children were]’ eniploj’ed, Expense was not ..spared eithefj iff cofnpieting. the palaqen.setting. : -‘!The' Yellow Ticket” is a dramatic story of Jmeprialistic Russia, and -.. details, .fhe, adypntpres of a beauti ul . Rdssian girf, played’ by Eiissa Lancli - who, by circumstance, is forced - to pose as a scandalous woman in order to accomplish art errand of mercv that involves, her father. She is .persistently ,bjf „the police, a role portrayed by Lionel Barrymore-, And is eventually saved from f a ahameful.fate.by*a jiandsome young %m the tfnited States, a-role enacted by Laurence Oliver, a talented young actor frdpi the f stage. t'The supporting programme ini' Cludfeg -the Third Test match, All. 1 Blacks y. Australia. • / • ■