EPSTEIN EXPLAINS “DAY AND NIGHT.”
“'ft was'my idea to make Day’ and ‘Niglvt’ the subjects of the two groups over the entrances to the London Underground Railway building,” said Mr Epstein in the, “Manchester Guardian.” “I took some -time % to arrive •at this, for my first idea was in some way to express traffic in the sculptures the sense of the crowds passing out and in by day and night through the stations and the movements of the trains. But I could npt get a plastic idea for this, and I thought of Day and Night—elemental figures —for the headquarters of the underground movement of London. Although ‘Day’ was unveiled' last, I worked on it first, and it was nearly completed when I turned to ‘Night. It is difficult to describe a sculptural idea for any art has to speak in its own language. Well, ‘Night’ is a mother-figure with her child-man exhausted and sleeping under her protection and beneclicition. ‘Day’ is a figure of the father in - nature, w ith the man-child “facing the light but still holding to the father.”
Permanent link to this item
Hononga pūmau ki tēnei tūemi
https://paperspast.natlib.govt.nz/newspapers/HOG19291005.2.64
Bibliographic details
Ngā taipitopito pukapuka
Hokitika Guardian, 5 October 1929, Page 6
Word count
Tapeke kupu
182EPSTEIN EXPLAINS “DAY AND NIGHT.” Hokitika Guardian, 5 October 1929, Page 6
Using this item
Te whakamahi i tēnei tūemi
The Greymouth Evening Star Co Ltd is the copyright owner for the Hokitika Guardian. You can reproduce in-copyright material from this newspaper for non-commercial use under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International licence (CC BY-NC-SA 4.0). This newspaper is not available for commercial use without the consent of the Greymouth Evening Star Co Ltd. For advice on reproduction of out-of-copyright material from this newspaper, please refer to the Copyright guide.