Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image
Article image
Article image

AMUSEMENTS.

EVERYBODYS PICTURES.

“ COJ)E OF THE SCARLET” —TO-NIGHT.

For any one tiling to hold the interest of the public for any length of time, it must have a basic principle underlying it, claims Ken Maynard, western star of the motion picture “Code of the Scarlet,” coming to the Princess Theatre to-night. In making this statement, Maynard has in mind Ihe western type of picture, which was not only among the first themes of screen enterta’.iment, but to-day ranksamong the leaders. The reason is the basic idea that the western hero typifies the average outdoor man. The rider, with his chaps, wide Stetson hat, and six-shooter, presents a romantic appeal, not only as the westerner, but as the pathfinder, the settler df a new country. The men who actually followed such a life m the’early days were fearless, Self-preservation was the first law of the hand. It was the beginning of an era when brain and brawn were combined to combat nature and eke out an existence. Such men were typical Westerners. It was not so long ago that they roamed the west but that they are still remembered. This, according to Maynard, is the prime reason for the popularity of the western picture to-day. Ken is never shown smoking, drinking, or conducting himself on the screen in a manner unworthy of imitation by his youthful f'lis. According to psychologists and professors of scholastic reform, the western type of picture has a decided effect on the mind, not only of the youngsters, but of their elders as well. There is something about the clean sweep of the outdoors, the thrilling plots and fast action df the-Maynard pictures, that fascinates the public as no other type of entertainment can. With all of these things in mind, both Charles R. Rogers, producer of the Maynard productions for First National Pictures, and Harry J. Brown, director of “ Code of the Scarlet,” set to work to make this picture a super-Maynard film. Thev have woven a fast, clean and thrilling production that will please everyone. It has a remarkably beautiful scenic background. A topical, scenic and comedy will also be included in to-night’s display. Coming Friday: Lillian Gish in “The Enemy.”

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/HOG19290828.2.17

Bibliographic details
Ngā taipitopito pukapuka

Hokitika Guardian, 28 August 1929, Page 3

Word count
Tapeke kupu
366

AMUSEMENTS. Hokitika Guardian, 28 August 1929, Page 3

AMUSEMENTS. Hokitika Guardian, 28 August 1929, Page 3

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert