AMUSEMENTS.

Hokitika Guardian, 3 July 1925, Page 1

AMUSEMENTS.

PICTURES. ‘WHERE THE PAVEMENT ENDS” -TO-NIGHT. Ho swears lie will have her for his own, this lithe, fresh, beautiful girl. He knows that the caressing breezes must he whispering lovo dreams to lonely -Matilda, daughter of a South Seas Missionary. And his will Ims the advantage. AVJmt matter than he already had a native wifo Things hap-

pen in the South Seas! What matter that his rum shop has earned the enmity ol Matilda’s father? To have this girl, lie would seal the doors of his den of vice, he would do anything. To Gregson, the trader, the way seems clear, but is it The answer is in “Where the Pavement Ends,” the latest Rex Ingram production for Aletro at the Pnncess Theatre on this evening. Locked in furious battle, they spin from side to side in the dawn-touched room—the man she loves and the treacherous trader who swore he would have her for his own. Matilda. daughter of a. missionary, almost frantic from her night-long experience in a tropical storm, is stunned into immobility as she watches the struggle between these two men of the South Seas, fighting silently, with passionate hate, for life and love. Chairs are smashed, a table lips over, a gun flashes in the half light of early morning. Her lover or his enemy? A two-reel Alack Sennet comedy, an American (incite, and travelogue will support this magnificent star. Saturday.—l furry Carey in “Desert Driven.” It’s a whopper of a picture.