AMUSEMENTS.

Hokitika Guardian, 2 July 1925, Page 1

AMUSEMENTS.

gIcLEAN’S PICTURES.

WHERE THE PAVEMENT ENDS” —FRIDAY.

He swears lie will have her for his own, this lithe, fresh, beautiful girl. He knows that the caressing breezes must be whispering love dreams to lonely Afatilda, daughter of a South Seas Missionary. And his will be the advantage. What matter than lie already had a native wife Tilings happen in the South Seas! What matter that his ruin shop lias earned the enmity of Matilda’s father? To have this girl, lie would seal the doors of his den of vice, lie would do anything. To Gregson, the trailer, tho way seems clear, hut is it The answer is ill •Where the Pavement Ends.” the latest Rex Ingram production for -Metro at the Princess Theatre on Friday evening. Locked in furious battle, they spin from side to side in the ilawn-touched room—the man she loves and the treacherous trader who swore he would have her for his own. Matilda, daughter of a missionary, almost frantic, from her night-long experience in a tropical storm, is stunned into immobility as she watches the struggle between these two men of the South Seas, fighting silently, with passionate hate, for life and love. Chairs are smashed, a table tips over, a gun flashes in the half light of early morning. Her lover or his enemy? A two-reel Mack Sennet comedy, an American Gaette. anil travelogue will support this magnificent star. Saturday.—Harry Carey ill “Desert Driven.” It’s a whopper of a picture.