AMUSEMENTS.

Hokitika Guardian, 8 May 1925, Page 1

AMUSEMENTS.

MCLEAN’S PICTURES.

“THE RIP TIDE”—TO-NIGHT

\\ hat xv ill von see in the great special pictures to lie shown to-night at McLean's Pictures!-' Tlu: soul struggle of Tagor Khan, lioxv a. butterliy grew into a woman, the devehipmont of a woman’s soul, the first man's appearance upon the face of the earth, lioxv the hand of fate struck down C oni Voronskv. the glamorous atmosphere of an East Indian province, ike due! between Tagor Khan an 1 ('mini Boris Voronosky, the headlong race through the night to -are a woman's honor, the glittering splendour of the palace of a princely potentiate, the rescue of Princess Imlora from the waters ol the lake, beautiful women ami gallant men at the Ambassador's garden fide, the philosopher's influence over those with whom 1m came in contact. “The Kip Tide” is a nexv and tre-men-dou.sly poxverfttl Arroxv release, xvlii-.-h tells a strong and engrossing story. Furthermore, the lavishly 1x■ ax;t i! u! sets represent the last word in artistic perfection, xvliih’ thx' cast, including, as it does iStuart Holmes. J. frank Glendon. Rosemary Tlieby, Russo! Simpson. Diana Alden. Georg*' Rigas, and Dick Sutherland, is as strong a one as has e\-er hx'OU assembled for a single production. AYc strongly recommend “The Rip Tide” to all tlioso xvhn seek that- which is newest and best in screen entertainment. A two reel comedy, gazette and scenic will support- ibis powerful star picture, and McLean's Orchestra will render the incidental music. Saturday. Zano- Grey's “Riders of til*' Dawn.'' MASTER PICTURES. “LAWFUL L A RCEN Y”—TO-NIGIIT. Master I’ietiircs present to-night “Laxxfui Larceny” screening three of Broaxlxvay's faxxuito daneers. Gihla Gray will he sex'll in tin* onbarid seenx.'s of jin' picture in lu-r South-sea dance which has made her famous as the premier dancer at the Rendezvous, one of Nexv York’s leading dance clubs. In the prologue of the picture Florence (V Denni'hawn interprets an ancient Egyptian dance as a, colorful background I- n- Nita Naldi, xvho is shoxvn in a Cleopatra tableau. Alice Mason and her partner present modern hailroom and eccentric dancing in the cabaret .sequence. This trio of dancers represents the highest priced talent nhtailiable ill New A.ork City, or thx* Unitx-d States, for that matter, and this is tile first lime tlieir art was ever .screened. Miss Naldi is a charmer of men in the picture and xve have given her tin- latx-st xveapons 'xilh which t<> work her eliarms. Not only xx ill Aliss Xahli he clad 111 Egyptian gowns, hut she xx ill have- a complete Egyptian background. for her machinations against men. Every photograph of King Tul-aiikh-Anien's tomb printed in this country was xtiulied f--r ideas. N>> detail xxas xiverlooked in making Mi.-.-, Nahli's latest appearance on (he screen the most sensational of her career.