McLEAN’S PICTURES.

Hokitika Guardian, 6 May 1925, Page 1

McLEAN’S PICTURES.

•■THE RID 'TIDE'' FRIDAY. Winn will you see in ihe great special pii l lire lo he shown on Friday at Mi-Lean’s Piet tires y The soul struggle of Tagor Khan, how a nut D rily grew into a woman, ihe development of a woman's soul, the lir-J man’s appearance upon the face of the earth, how the hand of fate struck down Count Vonmsky. the glamorous atmosphere of an East Indian province, the duel l-.'twoc'ii Tagor Khun an I Coiiul Boris Ynrnnosky. the headlong race through ihe night lo save a woman's honor. Ihe glittering splendour of the palace i.f a princely potentiate, the re-rue ol Princess linloi'n l'r<uu the water- ol Iho lake, heath iftt! women and gallant men ai the Aluba-'sador'x garden fete, t.hi) philosopher's iulliielice over those with whom lie came in com aid. "fhe Kip ’fide" is a new and tremendously powerful Arrow release, which 1,-lls a si l ong ami imgro -mg story. Furthermore. the lavishly bcnulilu! sets represent- the last word in artistic perl ert ion. while the eal. including, as if does Stuart Holmes, J. Frank Dlendon. Rosemary Tbohv, Russel Simpson, Diana Aldeii, Ceorge Rigas, and Dick Sutherland, is a- strong a eno as hits ever been assembled lor a -ingle production. AVe strongly recommend ‘‘The Rip 'fide’' to all those who seek that which is newest and lies, in screen entertainment. A t"’ l ' , ,'cl comedy, gaze! te and .'-''''lie' wIJ support, llii- powertul star picture, and .McLean's orchestra will render the jm ideiital music. Saturday. Zane UrevV “Rider- <d the Dawn."

MASTER PICTURES, •L \ W !■' I I. LARCENY" ' FRIDAY, j Master Pictures jiresent mi I tidayj "Lawful .l.areeny" screening Hiree of j Broadway'- l'avorilo dancers. Hilda Cray will he seen in the cabaret scenes of the picture in her Smith-sea da! which lias made her famous „* the premier dancer at the Rendezvous, one of New York's leading dance clubs. In the prologue of the phtnre f lorenee O' I K-nnisha wit interprets an ancient Egyptian dance as a colorful background for N'ita Xaldi. who is shown j iu a Cleopatra tableau. Alive Ma-on i and her partner present modern halt- i room and eccentric dancing m tin- j cabaret -"ouenee. This trio oi liamci-j the highest priced i.- hmt | i'J>t aiuahle in New’ A ot’k Cit - "f t ! - 4 j United >rates for that. inaTTer. and j this i-, the first, time their art was ever : screened. Mi- Xaldi is a ‘harnier m I men in the picture and we have given j her the latest weapons with which to | work her charms. -Not only will Miss Xaldi be clad in Egyptian gowns, but she will have a complete Egyptian background. for her machinations against men. Every photograph m King Tut-ankh-Amen’s tomb printed in this country was studied lor idea-’. No detail was overlooked in making Miss Xaldi’s latest appearance on the screen the most sensational of hei career.