McLEAN’S PICTURES.

Hokitika Guardian, 7 February 1925, Page 1

McLEAN’S PICTURES.

TO-NIGHT—“THE RIGHT TO LIE”. “The Right to Lie” is a seven-reel l’atho Special Feature. It is presented by the Albert C'apellani Productions, Inc., thd famous company which takes its name from that master of screencraft and interpreter of life for the silver sheet —Albert Capellani. Dolores Cassinelii, aptly called the Cameo Girl l>y Enrico Caruso, plays the leading role. Jane Muriin, the author, is well known for her eol- , lahoration with Jane Cowl in ihe writing of “Lilac Time” and “'Daybreak”. < Kdwjn Caro we, able director of vital i themes of life, directed “The Right to ■, Lie.” Rathe is the distributor. The i court loom was packed. f>o far t]ie < testimony had been merely a matter of , form, and unless other witnesses were I calk'd, the prisoner, by his own state- I meiit of guilt, would he convicted of 1 the murder of Crosby Dana. Then > Carlotta Austin' entered and took tin | witness stand Solemnly she swore to < tell the truth—but there was absolute- j ly no one who could prove that the j words she uttered were lies—terrible j falsehoods that lobbed her of her ] virtue! Lies that branded her a scarlet < woman I Hut Carlotta was lighting for , the life of the man she loved—her < husband and her own reputation if she could prove b.v soiling it that her lms- < hand was justiged in killing Dana, was | as naught. So she lied! She had the : right to lie, .so she believed, A scream- | ing comedy, gazette and serial and . McLean's Orchestra will compete the ; gigantic programme. p j TUESDAY. , “imOTHI'MiS UNDER THE SKIN.” On Tuesday, .McLean’s present a | wonderful Goldwvn special success ( “Brothers Under the Skin”. It- is n ( wonder picture of home life, and gives j a startling lesson in wife taming. c MASTER PICTURES. f TO-NIGHT. I At the Opera House to-night Master j, I’ieture.s present the latest Metro produetiou produced by Harry .Beaumont. v As Martha, Viola Dana plays one of iS the most delightful humorous roles of her successful career in “A Noise in <j “Newhoil;.” Because her townsfolk ,| wouldn’t look at her she went away. ~ .Martha was poor, ungainly and in.signilieant and so umii’t count. But as „ ihe years rolled by in the Big City a her fame and fortune grew fast and p Martha thought she would like to go to the Old Home town and make a big noise. When she got there she found a it had gone to sleep since she left, so t. sho decided on a method of waking it n up. Did if succeed ? We’ll say it did 11 and so will you when you see “A Noise *c in Xewbor;;”. iola Dana is supported by a number of well-known players, leva Novak. Allan Forrest, Malcolm M .McGregor. Betty FraneDco and David r j Butler. “A Noise in Newhors” was p written by Edgar Franklin whose for- ei mer stories are famous. The supports el for this line programme are: I’ara- 11 mount Weekly Gazette. Burton llolme.s , Scenic and A Torchy Comedy (“Torehy’s iNut Sunday”). p Tuesday - “Forty Horse Hawkins.” ( |