McLEAN'S PICTURES.
MAY A 1,1.150 N TO NIGHT
Mel.call s I’ietures present 10-night Saturday) l.y special request. May Allison in '‘The .Marriage of William Ashe.” which has hoeit received with marked approval everywhere. This aiav lie accounted lor hv lhe i’aei that seldom is a picture made that so admirably lits the star as do.-. “The •Marriage of 'William Ashe” til .May Allison. From the opening scenes in which the beautiful young Kitty llristol, the role portrayed hv Aliss Allison, rehels against tin l trammels of convent life and steals away from iln i“ (•online* til liiprht to seek advent tire in the city ot l.mulon, the adventure leads lmr al length to matrimony with A\ ili in >ll Ashe, a member of the Piriii- h I’arliament. Once married to Ashe, Kitty's troubles begin for out of her excessively spirited temperament springs untold misfortune lor both Ashe and herself, “hull liluls expression in the writing, of a hook by l.ady Kitty that discloses some of the secrets of the British Ministry, and through l lie connivance of Clifl’e. ;i member of the Opposition who exerts a sinister influence over l.ady Kilty. -rave trouhle threatened A-die, who is .Minister for Home Affairs in the British ('ahinet. It is wlwm Ashe discovers his wife at the lodging* of Ciilfo tlmt the storm of their eentliel breaks upon their heads, only to he calmed liy the return of Kitty to the convent and her pursuit there by Ashe, who loves her deeply in spite of In-r indiscretions. The supports include a comedy. I’atlie Oiv'.elte. and second last episode of the serial. “The Timber Queen.’’ Tuesday—"Gipsy Passion*.”
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Hokitika Guardian, 12 July 1924, Page 1
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273McLEAN'S PICTURES. Hokitika Guardian, 12 July 1924, Page 1
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