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“THE DANDIES.”

Notwithstanding the many counter attractions which existed last evening, there was a good assemblage of admirers of “The Dandies” at the Princess Theatre. The new Company comprises seven artists, all good and very versatile. As a matter o ffact, versatility must he one of the main qualifications with performers in the various “Dan-

dies” combinations, and in the excellent programme presented last evening the. all round ability of the various pets formers stood out Ivory prominently. “The Dandies” proved true to their reputation and presented a bright and breezy entertainment which provided the greatest satisfaction to their auditors. Quite a refreshing feature, and one worth recording, is the fact that the Company presented a large budget of recent successes and were not guilty of serving up. a series of “chestnuts” or back numbers. Comedy, of course, provided the major portion of the bill, and it is pleasing to note that in keeping with “Dandies” traditions, the comedy was dean and wholesome, being entirely free from any. suggestion of vulgarity. In this section of the programme the main performer, was Mr George Sliarratt, whose breezy personality and infections elfervesccnce. made the moments pass merrily. Mr Sharratt was in great demand, for, in addition to his individual contributions he was the leading spirit in the many humorous ensembles which found inclusion in the bill. Mr Itenn Millar who was welcomed as an old favorite, sang splen-

didly, his fine resonant tones being heard to great advantage. Mr Millai also showed that he is a man of paits by cleverly working with Mr Shanntt in different portrayals. Mr Itaymon Nicholson, the tenor of the Company, was mainly in evidence in concerted numbers. Tlis voice is of the lyric quality and is very even throughout. There are four Indies in the Company. They sing and they dance, and each action bears the imprint of artistry gained as the result, of much experience Miss Christina Andrews is a

soprano with a rare gift of interpretation, her singing of “Roses of Rieardy” and “Annie Laurie” being excellent examples of artistic vocalisation. Miss Madolino Knight’s glorious contralto voice was heard to advantage in two well chosen songs “In the Garden of •Your Heart” and “Neapolitan Serene ade.” Miss Annette Lang is a most vivacious soubrette, and a dancer of much grace wlio not only appeared to great advantage in solo items, but was very prominent in all company numbers. Miss Lang’s imitations of Various .Walks in Life,” were very popular with the audience who demanded many encores.

The pianist of the Company is Miss Rosa Walton, a young lady who not only plays like an artist, but maintains a happy, cohesion between the vocalists and the accompaniment. As an exponent of songs at the piano, Miss Walton also ajipeared to advantage, her contributions being received with great appplause, the audience being very loth to part with this very charming young artist.

Of 1 the concerted numbers and Sketches, “Shakfespeare’/s House,” a burlesque on “Excelsior,” and “Follow Me” were probably the best of a good selection, “The Dandies of 1920”, submit a splendid programme. They are well worth a visit and when they make their final appearance in the Princess Theatre this evening, the building should be filled by an audience who desire an entertainment well up to the ’“Dandies” motto of being “Always merry and bright,”

TO-NIGHT. A complete change of programme will bo presented to-night. The management announce that the prices for unreserved seats are dress circle, three shillings and stalls two shillings. The performance will commence at 8,30 to permit the business people' to see the company.

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/HOG19200214.2.4

Bibliographic details
Ngā taipitopito pukapuka

Hokitika Guardian, 14 February 1920, Page 1

Word count
Tapeke kupu
604

“THE DANDIES.” Hokitika Guardian, 14 February 1920, Page 1

“THE DANDIES.” Hokitika Guardian, 14 February 1920, Page 1

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