POLLARDS PICTURES.
Douglas Fairbanks, as thß outlaw “Passin’ Through” and Baesie Love as “Amy,” the daughter of “The Weasal” in the bie Triangle Kay-Bee feature to be screened by Pollard’s Pictares to-morrow (Wednesday) evening in the Princess Theatre are seen at their best in a drama that is full of rapid changes from tears to hughter, “Passin’ Through,” as he calls himself for want of, a bettar name, has no idea who his father was, therefore he is an enemy fo society —and when he meets Amy, the daughter of “The Weasal,” although he loves her, rides away without asking her to become his wife. In the course of the stirring action of the play he learns that his father was honorably married to his mother bat was killed by “The Wolf.” Then the real pathos and dramatic scenes of the play come into prominence. “Passin’ Through” avenges bis father’s murder and rescuing Amy he rides away again—but this time with bis bride.
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Hokitika Guardian, 20 March 1917, Page 2
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163POLLARDS PICTURES. Hokitika Guardian, 20 March 1917, Page 2
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