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"NIGHT KEY."

In "Night Key," an unusual drama of the underworld, Boris Karloff reveals himself more clearly than ever before as a character actor of the highest rank. For perhaps the first time in his film-acting career, he has a role entirely divorced from the "monster", types which have made him w^rld-famous. It is difficult to believe that the role of the feeble, half-blind old scientist in "Night Key" is played by the same afitor who was the per; sonification of evil in "Frankenstein." It is doubtful whether even the great Lon Chancy, artist though he was in the portrayal- of difficult roles, could match .Karloff in this transfiguration.

The story is a- thrilling one, and tells how the old scientist, Mallory, who has discovered the secret of a ray-operat-

ing burglar alarm system, is duped by a shrewd lawyer and an old business partner,' and how he takes a very pretty revenge. The part of "Louie" a petty thief whom he takes into partnership, is well played by Hobart Cavanagh. Jean Rogers is convincing in the part of. the scientist's daughter.

Permanent link to this item

https://paperspast.natlib.govt.nz/newspapers/EP19370527.2.185.13

Bibliographic details

Evening Post, Volume CXXIII, Issue 124, 27 May 1937, Page 21

Word Count
182

"NIGHT KEY." Evening Post, Volume CXXIII, Issue 124, 27 May 1937, Page 21

"NIGHT KEY." Evening Post, Volume CXXIII, Issue 124, 27 May 1937, Page 21

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