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Mob Scenes In Which Each Extra Has A Part

PRANK LLOYD’S newest picture, “If I Were King,” gives him his best opportunity to date to show what he can do with mass-action scenes.

“In the old days,” said Lloyd, “a director could mass a couple of thousand extras in a square, give each of them a torch or flag to wave, and call it a scene! But that’s not enough nowadays. Today every member of a mob scene must do his or her share of the acting or the scene will look stilted and bogus. In ‘lf I Were King’ I selected two thousand players to support my leading characters, Ronald Colman. Frances Dee and Basil Rathbone, and took as many pains coaching the most ordinary extra as I did with the stars themselves?’ Lloyd’s technique in handling mob scenes consists of flashing his camera for a split second at a few members of the crowd, then giving a moment’s glimpse of another, and so on. In this way the scene consists more of a number of short shots, each with its own meaning, than of a mere bird’s-eye view of a thousand people.

The biggest mass scene in “If I Were King” forms the dramatic climax of the picture. It is a battle between the Burgundian army, made up of Europe’s most powerful troops on one side, and battalions formed by Francois Villon out of the Paris populace on the other.

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/DOM19390317.2.127.20

Bibliographic details
Ngā taipitopito pukapuka

Dominion, Volume 32, Issue 147, 17 March 1939, Page 14

Word count
Tapeke kupu
242

Mob Scenes In Which Each Extra Has A Part Dominion, Volume 32, Issue 147, 17 March 1939, Page 14

Mob Scenes In Which Each Extra Has A Part Dominion, Volume 32, Issue 147, 17 March 1939, Page 14

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