Page 13 Advertisements Column 3

Dominion, Volume 14, Issue 48, 20 November 1920, Page 13

j|j | p] amam |= =T-i-r —=— j ii Unsatisfied S&K&S I ' BnwniMMMMiM ments when they set out | I I®' t0 uy a Player-Piano. A correct sound- jl ' 0 l^e notes ani * an ability to secure | j .broad, general effects of time and tone j I tlSww? w '" °ft® n satisfy them. But, when the . | I instrument has made them better acja?/w quaintcd with music, their nrqbition grows. is then that they find that facilities for pfrJ&tfA expression — for artistic playing — are . §vM2Si lacking. Their performances cease to satisfy themselves, and it is quite certain j 'JO3sV *' ie ' r mus '^ a ' fiends do not enjoy compositions imperfectly rendered, I ff 0 45«f: o j| Such a state of affairs can ' jdySllCti never exist for those who \ WjM ——— own a PIANO LA PIANO. f It shows everyone what to do and JUST t : ft&ggU HOW TO DO IT, and shows it so simply £ | anc * eas ''y even an unmusical per- | ' ftfP&K former can play agreeably and artistically. i j That is why famous musicians exclusively I •j |Ora endorse the Pianola, and why it has been i '-fwisPr enthusiastically received in all classic | I music centres. | mOM' -* emr y mus ' c(, l Quality there, are no pianos belter | ? KmCJ} I than the Pianola Pianos in the following—Steinuvy, f ; Steck, Slroud, Aeolian, Farrand and the English- I marfc Weber. . $ Your only immediate outlay is a small \ deposit payment. jj I [ip#® FINE CATALOG TOSTED GRATIS jj I SOLB REPRESENTATIVE' 1 |g R LEWIS & Co. I