Thank you for correcting the text in this article. Your corrections improve Papers Past searches for everyone. See the latest corrections.

This article contains searchable text which was automatically generated and may contain errors. Join the community and correct any errors you spot to help us improve Papers Past.

Article image
Article image
Article image
Article image
Article image
Article image

SCOTT'S EAR FOR MUSIC

•.: In Sir: John Stirling Maxwell.'s address on; .Scott recently there''..were many,-things -fitly.: spoken, but;,'in!: attributing-.certain; , metrical-, deficiencies of -;.th?. poet,'to; lack of musical ■ ear he was violating- a-, rule -.'fainiliar!'■;Ho readers of \this"9plumn-- 1 -that;: l ; ;an;: ; ear:"-for' music'is: ; pne' ; thing/;and an';ear.' : for jangiiage; another." '.*; ■t—jj'i-'.v;,' , ; -v')-^-^- , ' 'Scott; himself -'is- an example?^..He ;l hSd.-i|io ear for' anxious that ■ her: ybiing..: family'. should be .able. to Scottish' , -: psalm .tunes' aright,; called, injftheteservice.si'ipf^a--Visiting teacher- of , music:*' "<Qnti : :pf !■ffie'vfirsf - neighbour, ,'LadyrvS.umniing-,wffjlo ..wroteyf.to beg the.'boys;.'might;.~npt'aU. be-.flogged';pre-cisely, at ,the;^am^hflur^:asj."tli6u^sh : eUiad |npj.doubt:lh.e'ip.unishnisiit.ivas!-.desiirved,'i-tlie noise -pi; the./,concprd ..was - : really.-. dreadful;" ■BJrom-.time-ito 1 time/throughout- Tjockharf!;a"rid it; the'.;"Jburial;' i .' ; .we':'find- : Scott-listening:-; to his singing' or-'.playing thq-.harp, but/it is clear from his .repeated avowal that what, he chiefly; valued-was\ndt .any quality intrinsic. in the .music, itself)\but'/rather the 'words,^ if \ they'.; were!;,.good; v;tev which! :ifcwas; set or the-historic,'associations pf.the.ysbng. •.Onthoother h.andy/his:'ear ; fpr.-.lan'guage'was sound; -That.is!'iridicate'd::by-his.attit-ude'i.to- . wards "Ghristabel.', , .-. One whd.iwishe.s'to.'see .what.': effect; that poein' ; prodiicfe'df upon- those who had-no I such-e'ar.hastbnlyc'.to-.turn'tb the >notice in- the'- "Monthly RevieV-'Awith which ;it was , ;;greeted.v on';, its'■■• appearance ' in: 1816.. I'here,some;,writer .whose ears .were riot-deli-cate' but only ' loiig .fell '■ foul of ■ the';VerSifica , - -tion. '..- Those ; versifyiisb' , .'-'are-guilty'of . neither mbre;;nor.less*, than bombastic'prbsoi. ,'and ..-not. -.even Cc conscious..,! of ■ bombas--' tic verse," and to prove his .'pojnfr he quotes the., Bplendid..;first ; - stanza,:, which; .begins— 'Tis the middle:of ■m'glit i by-thexastle , clock,.! And. the. owls;have.wakend'thiic'rdwmg I ,cock. i'Atiother- passage ;■ -'is '. "rudsj- '■' unf ashioned to>:be : tolerated;,;and/ It would' Eeem,:.''whoever, writes the nonsense in the quickest and newest way : is the'pppular.poet of the,day." Finally,he lays down' •a; volume full of,.'an'.CAe6lian-'nrasic unimagin-■'ably-weird arid magical with.a'ifeeling. of regret"-that "so much superior genius should becorrupted arid, debased by so much execrable'tasto;".'Scott's attitude was very.'different.:-He heard Sir John Stoddart readv' 'Christabel''!from' the .-manuscript, and it:was the versification that!charmed him. It haunted him.-."likeVa.passionj" ; and .ended by.becoming so iriuch"aVpart pf ; -himself that when he-'came to write the. "Layof the Last ;Minstrel"■ ho composed -the whole-first , canto, oh a metrical.. scheme .which is simply a series of brilliant variatibris upon Coleridge's theme. .But,Scott! s.utterance; can }, l be entrancingly sweet with a) melody: of its .own, and! one who: Teads so. simple a : pieco as the '.invocation; to' the; .White,: Maid in -, the! -"Monastery"'.! ari'dgives !due value .to ith'evow.els.upon.wHich.the.i accent'naturally falls .will find it full of: a' fine and wholly-appropriate music:—-■-.-- :,

!:::.:; Thriceto the" holly brake, - : ' ;. : V :■..' ' . •■•■ Thrice to-the , well—, - ...-■. ■- :.. : :.: I bid::thee •awake,-''' L : ! : '■'.■''."■'[' : ::( '-. - r .;!- ! .WhiteMaiilof Ayenel.!' i ; • .-..■ '.•'. ,; : Noon. gleams-on. the lake,. . ■:■'. ; ' ' !I- ■ ! 4 .No,on' : Elows'or':tlie fe11—'..,..' -V-. .'■'■■'.' ! : ' i ■:' : Wake.;tnee, : O-wake;! '.-'-': : -:.;'.:' - ; .-■-. J : of;Averiel.>.;v ■•!.:'■;;■'- If ; there! are : . metrical. deficiencies'' ; in! ■' the longer-poems-r-arid.Who '.will gainsay it—-they a'ro;:due not';:tolaclc-whether of musical;or •Verbal; oar, ! ; biit;'to the! facility, bf the iniprovisatore, ,who! is-little.careful, of minute\ef-iectslrT-iianchester;."Guardian,,':. -, ~ '-.■ '.'!' :

Permanent link to this item
Hononga pūmau ki tēnei tūemi

https://paperspast.natlib.govt.nz/newspapers/DOM19090130.2.87

Bibliographic details
Ngā taipitopito pukapuka

Dominion, Volume 2, Issue 419, 30 January 1909, Page 9

Word count
Tapeke kupu
442

SCOTT'S EAR FOR MUSIC Dominion, Volume 2, Issue 419, 30 January 1909, Page 9

SCOTT'S EAR FOR MUSIC Dominion, Volume 2, Issue 419, 30 January 1909, Page 9

Help

Log in or create a Papers Past website account

Use your Papers Past website account to correct newspaper text.

By creating and using this account you agree to our terms of use.

Log in with RealMe®

If you’ve used a RealMe login somewhere else, you can use it here too. If you don’t already have a username and password, just click Log in and you can choose to create one.


Log in again to continue your work

Your session has expired.

Log in again with RealMe®


Alert