REGENT THEATRE

Chronicle (Levin), 10 July 1946, Page 8

REGENT THEATRE

f • ;■ Scfeening finally to-night Humphrey Bogart at his best in "Passage to Marseille," with Claude Raines, Michele Morgan, Philip Dorn and Sydney Greenstreet. THURSDAY AND FRIDAY MATINEE THURSDAY 1.30 P.M. A film with a timely and topical subject, the first to be made in England with the co-operation of General de Gaulle and the Frehch National Committee, is being reieased to the Regent Theatre on Thursday and Friday by G.B.D. It's title is "To-morrow We Live." The picture deals with the heroic exploits of the Fighting French in Nazi Occupied France. The film is authentic, inasmuch as it is based on details suppiied by a French Patriot who himself escaped to England. We learn of the horrors of Nazi treachery and how, in spite of it all, the Nazis' nerves are kept continually on edge bythe f rustrations of those French patriots. We see the shooting of a German Comhiandant, the wrecking of an ammunition train, the arrest of fifty hostages, who refuse a means of escape, preferring to go to their deaths rather than betray those hostages who have died ihr Ffance befofe them. The brilliant star cast includes John Ciements, Godfrey Tearle, Hugh Sinclair, Greta Gynt, Judy Kelly, Yvonne Arnaud ajid^Bransby Williams. Lee Tracy, currently starring m P.R.C.'s "The Pay-off" on the Regent Thektre screen has gained a coast to coast name by playing fast-talking, dynamic roles, so it is strange to think that in the Broadway play, "The Show-Off," where he first came to the public's attention, his part was that /-f a quiet inventor who said very little but used his eyebrows a lot. Also screening is chapter 12 of "Master Key" aerial.