NO GLOOMY STRIDES IN ‘MIKADO’

Press, Volume CV, Issue 31006, 11 March 1966, Page 12

NO GLOOMY STRIDES IN ‘MIKADO’

There were no aspects stern nor gloomy strides when the appreciative audience left last night’s performance of the “Mikado." The producer, musical director, principals and cast had been a source of innocent merriment and pleasant melody—all well executed. They are past and present pupils of St. Andrew’s College and Rangi-ruru College helping to celebrate their 50th jubilee. The highlights were the subtly psychotic performance of the Mikado by Graham Robinson, Tom Kincaid’s display of comic gimmickry, Colin Barnett’s richly-toned singing, two delicately tinted and interestingly designed sets, and the clear, tuneful. singing of the large choruses. | The producer (Ross McPherson) and the conductors

(D. H. Wilks) obviously had prepared the show thoroughly. The orchestra in particular was both dynamic and self-effacing. The costuming was not spectacular, but was tasteful, except perhaps for the übiquitous jandals. The characterisations were nearly all rather subdued. Nanki-Poo (Colin Barnett) was a joy to listen to, but not so easy to watch. Even Ross McPherson’s Pooh-Bah lacked physical and vocal bulk. Margaret Camm looked and sang sweetly as Yum Yum.

This production, then, is a worth-while entertainment, without ever looking like setting Fujiyama on fire; agreeable without being exciting; good value without being really memorable.

The season continues, with a break on Friday night, until Saturday. —p.R S.