STRAND THEATRE.
THE ART OF LOVE. Of all the arts, that which is most neglected in tho whirl of modern lite is that of love-and how to make love. Tho nonchalant wave of his cane towards a' jeweller's window, and the young man's query to his lady, "Well, ,how about it, old thing?" as depicted in "Punch," is a remarkably true reflection of modern amour and the proposal of marriage ft la mode. Gono is the gallant wooing of tho Victorian swam, and the day of the lover "sighing with woefui ballad mado to his mistress s eyebrow, has aho, alas, passed. It is refreshing, therefore, to find. 1 in "The Lqve Thief," now showing at the Strand Theatre, that Norman Kerry retains and practises that art which has become so little studied, rbivalrous and dashing, he is irresistible in this Universal vehicle. Tho story is an •intrisruir." and novel one, and Kerry thould win all &n" nin6 hcarl3 wilh hia charactenSa 'rw" doughty and hawk-*jed "Buck" Jone is the &ro »f "DuraHcl of the Bad S» A gripping tale is well pictured W this film If outlawry in the West, and ilTu usual, relieves, the tension with lit flair for occasional comedy touches. bl The ordinal Buffalo Bill, Wro. F. Cody an exciting and romantic life, and "FigbHngWith Buffalo Bill," the new cl»p, tor plor. i 3 full of exoltcment -
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Press, Volume LXIII, Issue 18906, 22 January 1927, Page 8
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231STRAND THEATRE. Press, Volume LXIII, Issue 18906, 22 January 1927, Page 8
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