AMUSEMENTS.

Press, Volume LXI, Issue 18481, 8 September 1925, Page 13

AMUSEMENTS.

jfcljßE HOUSES. THEATRE. iiwfflgfr HUSBANDS" a:cd gtfejjjyE OF DESIRE." flfi but-striking similarity yggag wife eager for a. career, Bt»r eager for a home. in euch positions change Br.»iu »nd tho husband, none tho S^ußnrr""* < *' v 111 ' ovc Wltll ">mplicationa arc bound I*3!» wife also deems it necessary K^h«'* wr *- 80 P rom P u y ,ose3 nui. This is tho intcrsituation that ar.&ee in Bis3t attraction at iiverybody's K'JiKiging Husband®, which night. Many caecs havr |S?j|i ljfe wtcre a hap,-i y/mairieu IslSiSwtely turn her back, upon and a luxurious home career. And in '"Chang|j|3?»the situation has been injjf» "jtel" life. Tho husband the alraady wellfalling in love, quite unBpf2jv^ a woman engaged to anOT'SaLg the other man makes <BBettieetiro wife and the_ devolopil? > .;*SlAig are problematical and good entertainment— who c£n eit still in and (peculate upon the R!t (mbUm tha artints on the •ft. faature, "Changing Husbands," sJZihe studios of Paramount, ro--1S? frank Urson and Paul Tribe, fy the beatHif ll '' i 3 the star, and i,y victor Varconi, RayPitts and Julia. Favc. sueh » s® l of intriguing, complications, and such stare to develop their SpS-film could not bo placed in MK7Z firtt flifftt in modern X«wfc night's audience cnhas picturised Balzac'e ll&ij. Tt* M«g»« Skin," and T>re>llSLtbe title. "Slav# of Desire." attraction on the billis, in modern parS"S*n«» and very alluring "vamp, RaftCilrmd Myers, who baa made ffSiaion tho screen interpreting b?8?l.. been cboeen to play tho mffiSfagi u« unusually full of th*y enhance the perfeoipire aj>d emphasise In support of the stair WHI»BZ£ aiifl George "Walsh. The ffisSm adipted to the screen by ■Kgjfcw ar ,A the movie version remarkable Standard of IPfeTjjj (or which he is noted. of mysteries of MSBfe «]den lore of strong quest* i powerful and very appea.!E&r ! Bal»e , a works are noted for SISkIL' m n«m, and many of his JStFK unsuitable for adaptation to SR*«ieu.« of Desire," however, this category, but it roStBL| t and colouring Hragftalt author his high plfce bill are worthy fflßEßto of the two • big attracjSQflft', whole programme is well pet by thin popular l&iM, nttfer the oonduotorahip F.S.M., 'played gKEßtatcgramme of fecial and inRBiaT' Tbe overture was the popuBfiSiTuflee''' <Kbtelby), find the Midnight Waltz," a now BrAi Sat feature the musical HWMiia selections from the (Teidi), the suite, "Diveran outstanding inter- ■«!«» waf cycle. "la a Persian Two very charmIggggMn ''Hindoo Song" (Bemborg) MBajpiiftg'' (Debussy), with cornet HHKEoK Mas?enet'e "Open Thy HHgKji delicately and .effectivßly ■HBmkt was concluded with (Amy WoodfordeIHHK the screening of the hip Huebanijs," the musical BHHh (elecitioss from "Wi'd■BHpn and the fox-trotf>, HHp?Chin» Qir!," "Mandalay," HBEm the Old Lake 1 Sido." ' - H|j)ietare at the Grasd Theatto is ■ The BtAry is on« of Kpv titled Englishman, who is so nobody him seriously. a series of adventures as P%. ihtr art linthahle. hn 6uc- - a ayitny, winning a BMgty> and (Avinj hfer brother from HpiJUl of tkia. ii. borlrayed in a HgMMkes "F?rty wlnh" splendid Bwnd theatre. -■ Stfind neatre. It tells of HSgfc'el a girl .irtio Is forced to *>d aciilt in support- . the inqets »ake« & eplenBBbTY THEATBB. »d~ excitement permeated Dftmmond," the liberty Theatre. Briefly, Bjipt * portion of the life of a handsome, daßliinc «ept>on»tely known as TO begin with, the > .Q(ttobilui4 officer, at around far some kind finding none, determines "packed with And he get 3 it. THEATRE. PtIBPU! SAGE." always held the first-class pictures for peek's programme, which ioases for the first time Hfflgpjj™ 4 l°t of beating. The ? ur Ple Sage," tLif? ne «, Qre y' B best HKSM£Q*?r l v Tom Mix, and HMfiSW"® "ave been chosen for B^®®6rJLi"s? ,0 P r s , in American aolmea across the °j. hi* elective work, ™e presence in the HBbsßSS^*'^ 4 snch artUts as ««xod, and Wtrncr 0{ this picvividly brought before "V only a real actor, physically equipped t? .perform in real open to do for big reason why the his story of long *° wreak Tengeance BKffaf?' Ayers »n herpic ehatacH|KIP »eoe excellent acting .'WO'gnn man. Tony H|§|(B?£?r tprpojh perilous situsjFl"l his horse aense. •weftted' the pictnre, has eyellsnt opportunities Mix in daring of this throbbing desert is staged *y? great natural HHrag!9g|££~ gfct and her sweetPining rustlers, a a sheer cliff, ct the horsemen. picture is a that breathes of the Wgkest surprise is HHBSwgftlf of the mysterw*> "A DangerCody is fea- • society setting it. Although gripping scenes, jntersjiersed. HMfflMtui'' : , . Educational