ROYAL ACADEMY.
'. PICTURES OF NOTE. i - ] (lit 'iSLB-PABBB ASSOCIATIOX-COPTBlaat.) I (MVMilttH AKt) K.Z. OA6LE ASBOtiIAttOS.) 'tlceeived May 3rd, 11.5 fl.in.) LONttoX, May 3. <' >,*" £ u *uemy pictures aro fewer and | tttitW tfciitt last year. Naturally «fc> ta&ton is attracted" to the late J. Sr portrait of the Mafbnidness 'tWl&h of fcsdlestonj under which a liu'rei wrtath has been placed. This i$ ,M # the kst pictures hj« painted. Tbi most d»6cussed picture is Sir 1 W& Utfi OrpWs "Man Versus Beast,'' lekftwiffg Hi* interior' of a booth in which faVttljM ig vanquished by a bear, fh* iioit prominent figures are a tanier •*&i'i.mOiikey, bat the beasts appear; to 'tif'.Bfalfyed fcomparfed vitll the iUen aM VStnen spectators, who are portray-M-'si the real beasts of the scene. It - ; Vas aliouto to get neat the picture yesterday. The general eoininent was that fthsbear was the most decent thitig in Afe fltftare. Orpen declared that the piefctfif waft intended to convey only '*£s lb portrays.
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Press, Volume LXI, Issue 18372, 4 May 1925, Page 9
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159ROYAL ACADEMY. Press, Volume LXI, Issue 18372, 4 May 1925, Page 9
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