Page 1 Advertisements Column 5

Press, Volume LVIII, Issue 17470, 2 June 1922, Page 1

AMUSEMENTS. I3EATB' T&o Most Comfortable Theatre in the Whole Dominion. 2.15 —TWICE DAILY " r HOPE HAMPTON* HOPE HAMPTON Also, 3. B. WARNER ||WHE\ WE WERE TWENTY-ONE." WHEN "VTE WERE TWENTY-ONE." "LOVE'S "OUTCAST." kack Sennett Two-reel Comedy. LIBERTY GRAND ORCHESTRA. 23G6 at The Bristol and Theatre. 'Phone E619 HAROLD E, RIGfITON, Manager. —£ OR. U A TA L ru suitable to Norma TalLIBERTY. rpHE LIBERTY, LIBERTY. -L HOUSE LIBERTY. LIBERTY. OF LIBERTY. LIBERTY. BIG LIBERTY LIBERTY. ATTRACTIONS. LIBERTY. COMMENCING SATURDAY. COMMENCING SATURDAY. COMMENCING SATURDAY Thi3 is not an advertisement, but o tribute to NORMA TALM'ADGE on the achievement of the greatest photo-di produced, because here is a triuiuy the art that, has endeared her to the ' ™» r ' that sweeps with her through a veil of hope and heart-breaking happiness, because every reel lifts and invo=ls forward to a climax sheoriv dramatic-. THE HIGHEST SCREEN HONOURS MUST GO TO NOR MA TALMADG E N OlillA TALMADG E N OS4A TALMADG E *f OR M A TALMADG E 2RS M A TALM AD G E SRS ?- A TALM aD G E vR5 M A TALM aD G E vRS M A TALMA DG I ~~w R2• (t A TALMa DG- E —£R5^ A T AL MADGE——V o2n A JALMAOGE —N nSSf TALM aD G E A OItMA TALAI aD G E Supported by , LEW CODY LE V o0 D Y LL W -CODY LEW CO U Y tu i W CODY i-lio He Vamp par cxcell nee Remember -The s, lgn cu J K as ea out and held you, made you live throuen did .not W men till she one? £? V* euitablTto I Iffffi SIGN ON THE DOOR' •™ cl °- N ' wont ■- ■,IHE SIGN ON THE DOOR'- • >"E SIGN ON THE DOOR' . ~,„.,£ f JGN ON THE DOOK '- ' i.T»n ? IGN 0N THE DOOR". THE SIGN ON THE DOOR'THE SIGN ON THE DOOK"--"THE SIGN ON THE DOOK"--"THE SIGN ON THE DOOR"--"THE SIGN ON THE DOOR" . -"THE SIGN ON THE DOOR" J "THE SIGN ON THE DOOR" 1 -"THE SIGN ON THE DOOR"— -"THE SIGN ON THE DOUIT—--"THE SIGN ON THE DOOR" -"THE SIGN ON THE DOOR" "THE SIGN ON THE DOOR" May be counted among the few superlative productions of the year A FIGHT in THE NEXT ROOM—A SHOT. Devereaux had pleaded wi h th-i girl to leave his house, but she would not, and would not believe her husband worud find her there until too late, and. lh n "'• «S*£ »§JS N -ON-.THEitbOOß''—, '-^--^>rtIE' ? SIG?T : 'ON"THE &oOß''-^-£ —-V'THE SIGN ON THE DOQR" "THE SIGN ON THE DOOR"—— "THE SIGN ON THE DOOR"- - /'Do i:ot disturb me." That vos the sign on tho door. Devcreaux jad used Mat sign oiten. Three utues during the same week he had been to tba earnu ca£o, engaged the same room, ana put the s»me sign on the outside of the Tno girl was not to know inat. She itnew tho man was the of net employer. Thought he was a gentleman; accepted his invuation to theatre and supper in good faith. Then canm iootstepn, and. a dozen fists banging on> the dooi demanding admi&sion m did name of the law. IT S ONE OF THE BIG SCEinES IN TH±S SEVEN ACT FII/M OF TJiE PLAV PRESENTED To NEW ZEALAND AUDifc.Ni.ES RECENTLY BY MAUD HANi\Ai'OKU AND WILLIAM KELLY. -—-THE SIGN ON THE DOOR" "THE SIGN ON THE DOOR' "THE SIGN ON THE DOOR" "THE SIGN ON THE- DOOK" ."THE SIGN ON THE DOOK" The finest endorsement any dramatist has ever given a screen production. Channing Pollock, the auuior of "The Sign on tho Door," writes; — 'My dear H>;roert Brennon, —Twenty-one of my playn have- been do;ie in. 'The Movies,' aa many as three 6i them well done. But your picturisation ot Aiie Sgn on, the Door' sets a new high-wa cr mark. It is not only the best cinema veision of anything ot mine i have ever seen, but the best photoplay ol its kind 1 ev« aw. . . It was noi onlj. peraunai interest .hat kept mo on tho tdge of my ooat. 1 was surprised at the remarkable work of M.. s Talmadge. 1 was amazed at th:; fidelity to my text, and your respect for thj maiem! in hand.—(Signed) Channing Pollod." In Addition—- — "T HE K I N S M A N" "T HE KINS M A N" • "T HE KINS M a N" "T HE KINS M a iV "T HE KINS M a N" "T HE KI N S M a -v -"T HE K I N S M A IT" "T HE K I N S M A N" The screen version of Mrs Alfred Sidgewick's gieatcst novel, featuring C H R I S S I E WHITE. CHRISSIE WHITE. OHRI SS I E WHIT E.' The Supporting Programme inc'ud-s: SCENICS, COMICS, and TOPu.CALS. ALSO—THE LIBERTY GRAND ORCHESTRA. "Deeds, not Words." The incidental music will include:—Miss Hook of Holland (Rubens), "Danse de Sylphe 9 " <Berliot), "Minuet" (Schubert), Three Song's" (Brahms), "Tho B oken Melody (Van, Bi-ne), Prelude to "Tristan nd ~,l s? ,ld e' ,' t Wa S ,I -r). "Damnation of Fnust' (Berhot), "Die Walkure" (Wagj ' Finale from "Symphoiiie Pathetique"-(Tsc ikowski). n ,FJ an at The Briat °l ar >d Theatre. 'Phone 2366. 5585 HAROLD E. RIGHTON, Manager. BUSINESS ANNOUNCEMENTS. J A. SHARP, BUILDER 24 CASHMERE ROAD. FOR Keen Cut, Workmanship. PLANS DRAWN AND ESTIMATES GIVEN. POPULAR DANCE NUMBERS. "CCAL BLACK MAMMY" (One-step) "AIXT WE GOT FUN' (One-step). "AMAZON" (Waltz Song). CALL in and hear these played to yon. You'll be sure to like them. A large selection of all the latest dance music, songs etc., always in etock. CENTRAL MUSIC STORES, W9131-827 168 High street. If BS C . 165 1 COSTUMIERE and MILLINER. I La-lies' Own Material Made Up. Moderate Charges, Firstelaes Workmanship. I C33IS TO RESIDENTS OF BICCARTON, SOCKBURN, AND HORNBY. CHEAP MEAT FOR CASH OVER COUNTER. j MUTTON—Forequarters from 3Jd, Hind- / quarters sd, S.des ijd, Legs from 7d, Sana- | ages od. I ROAST BEEF 'rem -!ki to 6d. I A. T. JONES, Church Corner. j 06862 Tel. 0778. I