NEW DOUG. FAIRBANKS FILM
According to a leading article in the “Film Spectator,” Douglas Fairbanks in “The Iron Mask” has never given a finer or more finished performance. The picture is the sequel to th© “Three Musketeers,” and Fairbanks resumes the roll of D’Artagnan where he left off in the “Three Musketeers, and carries on to the climaxing tragedy of the gay and audacious Gascon’s death. The picture is stated to be the antithesis to the realistic school of drama in which we have been submerged lately. It is all beautifully photographed in a series of gorgeous costumed etchings. It is said that Fairbanks is still as agile as even inhis leaps and drops, and is an ingratiatingly charming figure always.
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https://paperspast.natlib.govt.nz/newspapers/SUNAK19290716.2.204.6
Bibliographic details
Sun (Auckland), Volume III, Issue 716, 16 July 1929, Page 16
Word Count
121NEW DOUG. FAIRBANKS FILM Sun (Auckland), Volume III, Issue 716, 16 July 1929, Page 16
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